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- From: avatar@notebook.sc.pronet.com (Andrew Pam)
- Newsgroups: alt.cyberspace,alt.hypertext,alt.internet.services,comp.groupware,comp.infosystems,comp.infosystems.interpedia,alt.answers,comp.answers,news.answers
- Subject: Xanadu World Publishing Repository Frequently Asked Questions
- Followup-To: comp.infosystems
- Date: 4 Apr 1994 07:51:22 GMT
- Organization: Project Xanadu (Australia)
- Lines: 523
- Approved: news-answers-request@MIT.EDU
- Expires: 1 May 1994 00:00:00 GMT
- Message-ID: <2nogtq$67v@inferno.mpx.com.au>
- NNTP-Posting-Host: notebook.sc.pronet.com
- Summary: This posting contains a list of Frequently Asked Questions
- Keywords: Xanadu Distributed Hypermedia Publishing Repository
- X-Newsreader: IBM OS/2 PM RN (NR/2) v0.17l by O. Vishnepolsky and R. Rogers
- Xref: bloom-beacon.mit.edu alt.cyberspace:4573 alt.hypertext:2623 alt.internet.services:19943 comp.groupware:2090 comp.infosystems:2285 comp.infosystems.interpedia:319 alt.answers:2378 comp.answers:4838 news.answers:17860
-
- Archive-name: xanadu-faq
- Last-modified: 1994/04/04
- Version: 1.25
-
-
- Xanadu FAQ
- ==========
-
- This document contains information about the Xanadu Project which
- may be of interest to the general public and readers of the
- comp.infosystems_ newsgroup. It is currently maintained by
- avatar@xanadu.com_ (Andrew Pam) of Project Xanadu (Australia) and
- posted approximately monthly.
-
- This FAQ and other Xanadu_information_ are also available at
- http://www.aus.xanadu.com/ or via gopher gopher.aus.xanadu.com.
-
- Questions in this document are numbered, and answers are labelled
- with letters of the alphabet. Thus 1 is the first question, and
- 1a is the first answer to the first question. Suggestions for
- additions, corrections and expansion of the material in this
- document are welcomed.
-
-
- Contents
- --------
-
- 1_ What is Xanadu?
- 2_ What are the features of a Xanadu system?
- 3_ How can I contact Project Xanadu?
- 4_ What is the history of the Xanadu system?
- 5_ What Xanadu-related articles have been published?
- 6_ What Xanadu-related material is currently available?
- 7_ What is the history of the name "Xanadu"?
- 8_ What are the words to the Coleridge poem "Kubla Khan"?
-
-
- _1 What is Xanadu?
- ------------------
-
- _1a
- Xanadu is a trade and service mark of Project Xanadu for computer
- software and services for electronic publishing and media
- manipulation. See question 3_ below for Project Xanadu contact
- details.
-
- _1b
- Xanadu is the original hypertext and interactive multimedia
- system, under continuous development since 1960. See question 4_
- below for the history of the Xanadu system.
-
- _1c
- Xanadu is an overall paradigm - an ideal and general model for all
- computer use, based on sideways connections among documents and
- files. This paradigm is especially concerned with electronic
- publishing, but also extends to all forms of storing, presenting
- and working with information. It is a unifying system of order
- for all information, non-hierarchical and side-linking, including
- electronic publishing, personal work, organisation of files,
- corporate work and groupware.
-
- All data (for instance, paragraphs of a text document) may be
- connected sideways and out of sequence to other data (for
- instance, paragraphs of another text document). This requires new
- forms of storage, and invites new forms of presentation to show
- these connections.
-
- On a small scale, the paradigm means a model of word processing
- where comments, outlines and other notes may be stored
- conceptually adjacent to a document, linked to it sideways. On a
- large scale, the paradigm means a model of publishing where anyone
- may quote from and publish links to any already-published
- document, and any reader may follow these links to and from the
- document.
-
- _1d
- Xanadu is an ideal of open electronic publishing based on the
- paradigm mentioned in answer 1c_ above. It is intended to be
- especially free and fair, where all authors and readers are
- considered equal. It is a complete business system for electronic
- publishing based on this ideal with a win-win set of arrangements,
- contracts and software for the sale of copyrighted material in
- large and small amounts. It is a planned world-wide publishing
- network based on this business system. It is optimised for a
- point-and-click universe, where users jump from document to
- document, following links and buying small pieces as they go.
-
- _1e
- The Project Xanadu (Australia) formal problem definition is:
-
- We need a way for people to store information not as individual
- "files" but as a connected literature. It must be possible to
- create, access and manipulate this literature of richly formatted
- and connected information cheaply, reliably and securely from
- anywhere in the world. Documents must remain accessible
- indefinitely, safe from any kind of loss, damage, modification,
- censorship or removal except by the owner. It must be impossible
- to falsify ownership or track individual readers of any document.
-
- This system of literature (the "Xanadu Docuverse") must allow
- people to create virtual copies ("transclusions") of any existing
- collection of information in the system **regardless of ownership**.
- In order to make this possible, the system must guarantee that the
- owner of any information will be paid their chosen royalties on any
- portions of their documents, no matter how small, whenever and
- wherever they are used.
-
-
- _2 What are the features of a Xanadu system?
- --------------------------------------------
- * Note: Some releases may not implement all of these features.
-
- _2a
- Every Xanadu server is uniquely and securely identified.
-
- _2b
- Every Xanadu server can be operated independently or in a network.
-
- _2c
- Every user is uniquely and securely identified.
-
- _2d
- Every user can search, retrieve, create and store documents.
-
- _2e
- Every document can consist of any number of parts each of which
- may be of any data type.
-
- _2f
- Every document can contain links of any type including virtual
- copies ("transclusions") to any other document in the system
- accessible to its owner. Permission to link to a document is
- explicitly granted by the act of publication.
-
- _2g
- Every document can contain a royalty mechanism at any desired
- degree of granularity to ensure payment on any portion accessed,
- including virtual copies ("transclusions") of all or part of the
- document.
-
- _2h
- Every document is uniquely and securely identified.
-
- _2i
- Every document can have secure access controls.
-
- _2j
- Every document can be rapidly searched, stored and retrieved
- without user knowledge of where it is physically stored.
-
- _2k
- Every document is automatically moved to physical storage
- appropriate to its frequency of access from any given location.
-
- _2l
- Every document is automatically stored redundantly to maintain
- availability even in case of a disaster.
-
- _2m
- Every Xanadu service provider can charge their users at any rate
- they choose for the storage, retrieval and publishing of
- documents.
-
- _2n
- Every transaction is secure and auditable only by the parties to
- that transaction.
-
- _2o
- The Xanadu client-server communication protocol is an openly
- published standard. Third-party software development and
- integration is encouraged.
-
-
- _3 How can I contact Project Xanadu?
- ------------------------------------
-
- _3a
- By posting to the comp.infosystems_ newsgroup. Members of the
- Project Xanadu team monitor and contribute to the newsgroup on a
- regular basis.
-
- _3b
- By email to avatar@xanadu.com_ or by snail mail to:
- Project Xanadu (Australia),
- P.O. Box 409, Canterbury VIC 3126 Australia.
-
- _3c
- By snail mail to:
- Project Xanadu, 3020 Bridgeway #295, Sausalito CA 94965 USA.
-
-
- _4 What is the history of the Xanadu system?
- --------------------------------------------
-
- Ted Nelson thought up the whole thing in 1960, and has been
- speaking and publishing about the idea since 1965. In that year
- he also coined the terms "hypertext" and "hypermedia" for
- non-sequential writings and branching presentations of all types.
- (The term "interactive multimedia" seems to have become popular
- recently.)
-
- Since that time there have been a long series of changing designs
- embodying these ideas:
-
- 1960:
- Nelson's designs showed two screen windows connected by visible
- lines, pointing from parts of an object in one window to
- corresponding parts of an object in another window. No existing
- windowing software provides this facility even today.
-
- 1965:
- Nelson's design concentrated on the single-user system and was
- based on "zipper lists", sequential lists of elements which could
- be linked sideways to other zipper lists for large non-sequential
- text structures.
-
- 1970:
- Nelson invented certain data structures and algorithms called the
- "enfilade" which became the basis for much later work (still
- proprietary to Xanadu Operating Company, Inc.)
-
- 1972:
- Implementations ran in both Algol and Fortran.
-
- 1974:
- William Barus extended the enfilade concept to handle
- interconnection.
-
- 1979:
- Nelson assembled a new team (Roger Gregory, Mark Miller, Stuart
- Greene, Roland King and Eric Hill) to redesign the system.
-
- 1981:
- K. Eric Drexler created a new data structure and algorithms for
- complex versioning and connection management.
-
- The Project Xanadu team completed the design of a universal
- networking server for Xanadu, described in various editions of Ted
- Nelson's book "Literary Machines" (see answer 6b_ below).
-
- 1983:
- Xanadu Operating Company, Inc. (XOC, Inc.) was formed to complete
- development of the 1981 design.
-
- 1988:
- XOC, Inc. was acquired by Autodesk, Inc. and amply funded, with
- offices in Palo Alto and later Mountainview California. Work
- continued with Mark Miller as chief designer.
-
- The 1981 design (now called Xanadu 88.1) was topped off but Miller
- began a redesign. Xanadu 88.1 was not subjected to quality
- control or released as a product.
-
- Dean Tribble and Ravi Pandya became co-designers and work on the
- redesign continued.
-
- 1992:
- Autodesk entered into the throes of an organisational shakeup and
- dropped the project, after expenditures on the order of five
- million US dollars. Rights to continued development of the XOC
- server were licensed to Memex, Inc. of Palo Alto, California and
- the trademark "Xanadu" was re-assigned to Nelson.
-
- 1993:
- Nelson re-thought the whole thing and respecified Xanadu
- publishing as a system of business arrangements. Minimal
- specifications for a publishing system were created under the name
- "Xanadu Light", and Andrew Pam of Serious Cybernetics in
- Melbourne, Australia was licensed to continue development.
-
-
- _5 What Xanadu-related articles have been published?
- ----------------------------------------------------
-
- * "A File Structure for the Complex, the Changing and the Indeterminate"
- Ted Nelson, proceedings of the ACM 20th national conference 1965
-
- * "Computer-Indexed Film Handling"
- Ted Nelson, SMPTE conference preprint autumn 1965
-
- * "Getting It Out of Our System"
- Ted Nelson, in "Information Retrieval: A Critical View",
- Schechter 1967
-
- * "As We Will Think"
- Ted Nelson, proceedings of the Online '72 conference,
- Brunel University, Uxbridge, England
-
- * "Computer Graphics as a Way of Life"
- Ted Nelson, Tom DeFanti and Dan Sandin,
- proceedings of the first SIGGRAPH conference 1974
-
- * "Electronic Publishing and Electronic Literature"
- Ted Nelson, in "Information Technology in Health Science
- Education", edited by Edward DeLand, Plenum Press 1978
-
- * "Replacing the Printed Word: A Complete Literary System"
- Ted Nelson, proceedings of the World Computer Conference 1980
-
- * "Interactive Systems and the Design of Virtuality"
- Ted Nelson, Creative Computing magazine November & December 1980
-
- * Article in The Economist (London) 23 August 1986
-
- * "The Tyranny of the File"
- Ted Nelson, Datamation magazine 15 December 1986
-
- * "All for One and One for All"
- Ted Nelson, proceedings of the Hypertext '87 conference November 1987
-
- * "Managing Immense Storage"
- Ted Nelson, pp. 225--238, BYTE magazine volume 13 #1 January 1988
-
- * Hypertext '87 keynote address
- Andries van Dam, pp. 887-895, CACM volume 31 #7 July 1988
-
- * "Virtual World Without End"
- Ted Nelson, keynote to the CyberArts International conference
- 7 September 1990 (See answer 6b_ below)
-
- * "HyperTed"
- Steve Ditlea, pp. 201--210, PC/Computing magazine October 1990
-
- * "Two Men, Two Visions of One Computer World, Indivisible"
- Andrew Pollack, p. 13, The New York Times 8 December 1991
-
- * "TidBITS#30/Xanadu"
- Ian Feldman, TidBITS ezine issue_#30_ 1992
-
- * "Electric Word: Xanadu Redux"
- pp. 25--26, WiReD magazine issue 1.2 May/June 1993
-
- * "TidBITS#204"
- Adam C. Engst, TidBITS ezine issue_#204_ 29 November 1993
-
- * "WWW Activity at Hypertext '93"
- Kevin Hughes, WWW_page_ 29 November 1993
-
- * "State of the Art Review on Hypermedia Issues and Applications"
- V. Balasubramian, WWW_pages_ March 1994
-
- _6 What Xanadu-related material is currently available?
- -------------------------------------------------------
-
- _6a
- The book "Computer Lib / Dream Machines" by Ted Nelson, 1987
- Microsoft Press edition ISBN 0-914845-49-7 is available from all
- good booksellers for US$18.95 retail.
-
- _6b
- The following items are available from:
- Mindful Press
- 3020 Bridgeway #295
- Sausalito, California 94965 USA
- Phone: (415) 331-4422
- Fax: (415) 332-0136
-
- * Books:
- * "Computer Lib" by Ted Nelson, 1976 collector's edition for $100.
- * "Literary Machines" by Ted Nelson, 1993 edition for $25.
- * "Xanadu Hypermedia Server documentation", 1993 draft for $250.
- * Papers:
- * "Virtual World Without End", 16 pages for $10.
- * "Xanadu Space '93", 8 pages for $10.
- * Videos:
- * "A Technical Overview of the Xanadu System", NTSC $75, PAL $100.
- * Misc:
- * Xanadu Flaming X pin for $50.
-
- Add $5 postage and handling per $50 ordered, plus $15 for orders
- outside the USA. All prices quoted are in US dollars.
-
-
- _7 What is the history of the name "Xanadu"?
- --------------------------------------------
-
- _7a
- Marco Polo mentioned the original palace "Shan-Du", somewhere
- near Beijing, in his autobiography.
-
- _7b
- Samuel Taylor Coleridge published the poem "Kubla_Khan_",
- considered the sexiest in the English language, in the early 19th
- century. Supposedly Coleridge wrote a thousand lines in his mind
- while in an opiate trance, but was interrupted while trying to
- write it down by the infamous "person from Porlock" who bothered
- him on trivial business and made him forget the rest of the poem.
- This has been disputed by scholars who didn't believe there
- actually could have been any more to the poem. Coleridge was
- inspired by the autobiography of Marco Polo mentioned in answer 7a_
- above, which he was reading. See question 8_ below.
-
- _7c
- Orson Welles, in his famous film "Citizen Kane", named the palace
- of Charles Foster Kane "Xanadu" after the Coleridge poem_. It was
- based on the real life palace of San Simeon owned by William
- Randolph Hearst.
-
- _7d
- Ted Nelson named his World Publishing Repository (trademark of
- Project Xanadu) project after the Coleridge poem_, to suggest "the
- magic place of literary memory where nothing is forgotten".
-
- _7e
- The secret hideout of Mandrake the Magician in the comic strip of
- the same name was called "Xanadu" (presumably after the Coleridge
- poem_).
-
- _7f
- The rock group Rush released a song called Xanadu, obviously
- inspired by "Kubla_Khan_", on their 1970s album "Farewell to
- Kings".
-
- _7g
- The 1980 movie "Xanadu" starring Olivia Newton-John as a muse was
- also named after the Coleridge poem_, as an allusion to literary
- inspiration. She also sang the title song.
-
- _7h
- The pop group "Frankie Goes To Hollywood" released a 1984 album
- named "Welcome To The Pleasure Dome", on which the title song
- contains the line "In Xanadu did Kubla_Khan_ a pleasure dome
- erect".
-
- _7i
- David Butler based the plot of his 1986 science-fiction novel
- "The Men Who Mastered Time" around the story of "Kubla_Khan_".
-
- _7j
- Douglas Adams used the story of the creation of the Coleridge
- poem_ mentioned in answer 7b_ above as a central part of the plot of
- his science-fiction novel "Dirk Gently's Wholistic Detective
- Agency".
-
- _7k
- Douglas Adams wrote a 1990 BBC Television documentary called
- "Hyperland" starring himself, former "Doctor Who" Tom Baker, Ted
- Nelson and many computer industry luminaries. The documentary
- discussed the Xanadu system and quoted "Kubla_Khan_".
-
-
- _8 What are the words to the Coleridge _poem "_Kubla_Khan"?
- -----------------------------------------------------------
-
- In Xanadu did Kubla Khan
- A stately pleasure-dome decree:
- Where Alph, the sacred river, ran,
- Through caverns measureless to man,
- Down to a sunless sea.
- So twice five miles of fertile ground
- With walls and towers were girdled round:
- And here were gardens bright with sinuous rills,
- Where blossomed many an incense-bearing tree;
- And here were forests ancient as the hills,
- Infolding sunny spots of greenery.
-
- But oh! that deep chasm which slanted
- Down the green hill athwart a cedarn cover!
- A savage place! as holy and enchanted
- As e'er beneath a waning moon was haunted
- By a woman wailing for her demon-lover!
- And from this chasm, with ceaseless turmoil seething,
- As if this earth in fast thick pants were breathing,
- A mighty fountain momently was forced:
- Amid whose swift half-intermitted burst
- Huge fragments vaulted like rebounding hail,
- Or chaffy grain beneath the thresher's flail:
-
- And 'mid these dancing rocks at once and ever
- It flung up momently the sacred river.
- Five miles meandering with a mazy motion
- Through wood and dale the sacred river ran,
- Then reached the caverns measureless to man,
- And sank in tumult to a lifeless ocean:
- And 'mid this tumult Kubla heard from far
- Ancestral voices prophesying war!
-
- The shadow of the dome of pleasure
- Floated midway on the waves;
- Where was heard the mingled measure
- From the fountain and the caves.
- It was a miracle of rare device,
- A sunny pleasure-dome with caves of ice!
-
- A damsel with a dulcimer
- In a vision once I saw:
- It was an Abyssinian maid,
- And on her dulcimer she played,
- Singing of Mount Abora.
- Could I revive within me
- Her symphony and song,
- To such a deep delight 't would win me,
- That with music loud and long,
- I would build that dome in air,
- That sunny dome! those caves of ice!
- And all who heard should see them there,
- And all should cry, Beware! Beware!
- His flashing eyes, his floating hair.
- Weave a circle round him thrice,
- And close your eyes with holy dread,
- For he on honeydew hath fed,
- And drunk the milk of Paradise.
-
- - Samuel Taylor Coleridge [1772-1834]
-
-
- Credits
- -------
-
- This FAQ was written by avatar@xanadu.com_ (Andrew Pam). Much of
- the material in the answers to questions 1_, 4_, 5_ and 6_ was
- graciously provided by Ted Nelson.
-
- .. _issue_#30 http://www.aus.xanadu.com/0h/nelson90
- .. _issue_#204 http://www.aus.xanadu.com/0h/tidbits
- .. _comp.infosystems news:comp.infosystems
- .. _avatar@xanadu.com mailto:avatar@xanadu.com
- .. _Xanadu_information http://www.aus.xanadu.com/
- .. _WWW_pages http://www.csi.uottawa.ca/~dduchier/misc/hypertext_review/
- .. _WWW_page http://www.eit.com/reports/ht93/ht93.report.html
-
- $$
-
-